George HUNT after Henry Alken

The Toast

An aquatint in original colour by George Hunt after the drawings of Henry Alken, published at 24, Haymarket, London by Thomas McLean in 1824.

William GILLER after William Barraud

T. T. Drake Esq. To the Gentlemen of the Bucknell Hunt...

An etched and stipple plate engraving by William Giller after the painting by William Barraud, published in London by J. Ryman in 1846.

Richard HOUSTON after T. Spencer

Miss Doe a Mare of Sir Edward Obriens Bart - The Beat the Duke of Boltons famous Horse Sterling

A mezzotint engraving in original colour, engraved by Houston after Spencer and published by John Bowles in London circa 1760.

J. JENKINS after W. Mason

Country Race Course
1. Preparing to Start
2. Horses Running

A charming pair of mixed method engravings by J. Jenkins with additional aquatinting by Francis Jukes, after the paintings by William Mason and published in London in 1786.

Richard Gilson REEVE after James Pollard

Goodwood Grand Stand

A coloured aquatint of the Grand Stand at Goodwood racecourse engraved by Richard Reeve after the painting by James Pollard and published in London in 1836.

NICHOLS and BLUCK after P. Reinagle

To the Rt. Honble. Lord Clive, this Plate of Snipe Shooting is most respectfully dedicated with Permission by His most humble & much obliged servants Random & Sneath

A scarce aquatint engraving by William Nichols and Bluck after the painting by Philip Reinagle (1749-1833, RA) and published in London in 1807 by Random and Sneath of Bloomsbury Square. The two engravers were both well respected for their work in stipple and aquatint and collaborated over this delightful print.

James SEYMOUR

A Standing Leap at a Gate

A mezzotint engraving in vibrant original colour, engraved after the painting of James Seymour and published in London by Laurie and Whittle in 1794.

John WHESSELL after John Sartorius

DIAMOND.

A mixed method engraving combining stipple and etching, partially printed in colour and finished by hand. Engraved by Whessell after the painting by Sartorius and published by John Harris in London in 1799.

William NICHOLSON

A Sporting Almanac

A wonderful set of twelve lithographed prints by William Nicholson, depicting a different sporting activity for every month of the year, published in London by William Heinemann in 1898 and printed on Japanese vellum.

John CLARK after J. F. Gilbert

PRIAM WINNING THE GOLD CUP IN 1831, ON GOODWOOD RACE COURSE

A hand coloured aquatint by John Clark after the painting by Joseph Francis Gilbert and published in Chichester in 1831.

Benjamin Phelps GIBBON
after Edwin Landseer

SUSPENSE

A mezzotint and line engraving by Benjamin Phelps Gibbon (1802 – 1851) after the painting by Edwin Landseer, published in London circa 1840.

S. LIPSCHITZ

Breaking Cover and The Death

A pair of very decorative lithographs in full original colour, published in London
by S. Lipschitz circa 1870.

Original maple frames and old glass.

Samuel HOWITT

Horses Frightened by Lightning

Council of Horses

A pair of colour printed aquatints drawn and etched by Samuel Howitt with additional aquatinting by Greig and Bailey, published in London in 1801.

J.R. MACKRELL after Francis Calcraft Turner

Darley Arabian, - Roxana

Aquatint with original hand colour by Mackrell after a painting by Turner, published 1842 by E. Gambart & Co.

Thomas PIERSON

The Gamekeeper

Colour-printed stipple, drawn & engraved by Pierson, published by J. Le Petit, c.1800.

B. PICART after Baron Eisenberg

HORSE DRESSAGE: 2. Le Ballon

A set of six copper plate engravings, published in Paris in 1733. 19¼ x 16".

J. Clark after Henry ALKEN

RACING

An aquatint engraving with original hand colour, depicting an early racing scene. Engraved by John Clark after Henry Alken, published in the National Sports of Great Britain, published in London by Thomas McLean, 1821.

J.HARRIS after Charles COOPER HENDERSON

Fores's Sporting Traps: Going to the Moors.
From a Picture by C.C. Henderson, Esq.re in the Possession of the Publishers.

Aquatint by Harris after Henderson, published in London by Mess.rs Fores in 1847.

James Ward.

A Livery Stable.

Mezzotint, published by Simpson and Darling & Thompson, in London in 1896.

William DICKINSON after Henry Bunbury

ANNALS OF HORSEMANSHIP

How to make the least of him

Stipple plate engraving by William Dickinson after the drawings of Henry Bunbury, printed in sepia ink and published in the Annals of Horsemanship, London 1791.

Others in the series available.

DICKINSON

The Lawn at Goodwood

Photrogravure, published by Dickinson, Publisher to H.M. Queen Victoria, in London in 1886. With contemporary exhibition frame.

Henry Alken

A Prize Fight

Aquatint by Clarke, published London 1821.

G. H. PHILLPS after William DRUMMOND

The Cricket Match between Sussex & Kent at Brighton

Aquatint by Clarke, published London 1821.

James POLLARD

Bottom Fishing.

Aquatint and line engraving, printed in colours, published London 1850.

Racing
Racing from Newmarket Heath

Pair of hand coloured aquatints. Published in the National Sports of Great Britain, Thomas McLean, London, 1821.

Plate sizes 14½ x 10½ inches. Framed and glazed.

Robert LAURIE and Richard EARLOM after George Stubbs

[Gamekeepers] & [Labourers]

Pair of mezzotint engravings published by B.B.Evans, March 25th 1790.
Plate sizes 15½ x 26 inches. Both trimmed to publication line, losing titles. "Labourers" with repaired tear in sky area. Framed.