Georg August Goldfuss.

Equus Hemionus [Onager].

A lithograph in original hand colour by Georg August Goldfuss, published in Dusseldorf as part of his "Naturalist Atlas" between 1824 and 1843.

John Gould.

Red-Throated Diver.

A lithograph in fine original hand colour, engraved by H. C. Richter after the drawings by John and Elizabeth Gould and published in John Gould's The Birds of Europe between 1832 and 1837.

John Gould.

Otis Tarda [The Great Bustard].

A lithograph in original hand colour, published in John Gould's Birds of Great Britain, in London between 1862 and 1873. The print is drawn and lithographed by Joseph Wolf and H. C. Richter, both of whom were employed by Gould to convert his drawings into lithographs.

William Hayes.

A Bantam Cock

A charming etching in original hand colour, drawn and engraved by William Hayes and published in London as part of his 'A Natural History of British Birds' in 1779.

Prideaux John Selby.

Northern Diver.

A large-scale etching in original hand colour, drawn and etched by P. J. Selby and published in London between 1819 and 1834.

Prideaux John Selby.

Great Black Backed Gull

A large-scale etching in original hand colour, drawn and etched by P. J. Selby and published in London between 1819 and 1834.

Samuel Alken after Thomas Rowlandson.

A French Family [&] An Italian Family

A pair of etchings with aquatint by Samuel Alken after Thomas Rowlandson, published in London in 1786 and 1785 respectively.

George Hunt after Theodore Lane.

Champaign Driving away Real Pain.

Etching in original hand colour, engraved by Hunt after Lane and published in London in 1827.

George Hunt after ''M.E.'' [M. Egerton]

The Prices. Full Price, Half Price, High Price & Low Price.

Etching in original hand colour, by Hunt after "ME" and published in London in 1827.

Thomas Rowlandson.

Kicking up a Breeze or Barrow Women Basting a Beadle.

Etching in original hand colour by Thomas Rowlandson, published in London in 1814.

George Moutard Woodward.

A Long Headed Election.

Etching in original and vibrant hand colour, engraved by Woodward (possibly after Williams) and published (most probably) in November 1806.

William Hamilton

Etruscan Vase Designs: Numbers 127 [&] 129 Designs from The Medias Hydra

A pair of copper plate engraving in original colour from the first volume of William Hamilton's "Collection of Etruscan, Greek and Roman Antiquities from the Cabinet of The Hon.ble W. Hamilton", published in Naples in 1767.

Emile Allain Seguy.

Suggestions for Stuffs and Carpets.

Pochoir prints by the French artist and designer, Emile Seguy, published in Paris in 1914.

William Hogarth.

The Bruiser, C.C. Churchill (once the Rev.d) in the character of a Russian Hercules, Regaling himself after having kill'd the monster Caricatura that so sorely gall'd his virtuous friend the Heaven born Wilkes.

Etching by William Hogarth, published in London in 1763.

John Donowell.

A view of the garden of the Earl of Burlington, at Chiswick; taken from the Top of the Flight of Steps leading to ye Grand Gallery in ye Back Front.

An etching in original colour (by an anonymous engraver) after the drawings of John Donowell, published in London in 1753.

William Henry Toms after Jean Baptiste Claude Chatelain.

A View of the Mall in St. James's Park

Etching in original hand colour by Toms after Chatelain and published in London in 1757.

Robert Parr [&] Pierre Charles Canot after Monamy [&] Swaine.

Fresh Gale [&] A Strong Gale or Squall

A pair of copper plate engraving in, vibrant, original hand colour depicting weather conditions out at sea. Engraved by Parr and Canot after the drawings of Monamy and Swaine and published in London by both John Bowles and Laurie and Whittle, circa 1790-94.

Nathaniel Parr after Francis Swaine.

A General Engagement.

Etching in vibrant original hand colour, engraved by Parr after Swaine and published by Robert Sayer in London circa 1760.

John Harris after Henry Martens.

Dragoons
The 4th (Queen's Own) Light Dragoons. [&] 2nd Royal North British Dragoons.

A pair of hand coloured aquatints, engraved by John Harris after Martens and published in Rudolph Ackermann's "Costumes of the British Army" in London 1845-1853.

Georg Balthasar Probst.

Theatre of Marcellus [&] Piazza Navona

A charming and delightfully naïve pair of etchings in vibrant original colour, engraved by Probst and published in Augsburg circa 1770.

Godfried Friedrich Riedel.

Cape Town
Vue du Premontoir de Bonne Esperance avec le Port et chateaux au point d'Afrique proche du table du Lion et du Diable

A scarce Vue d'Optique, etched on copper and finished with original hand colour, engraved by Godfried Friedrich Riedel and published in Augsburg circa 1780.

William Dickinson after Sir Joshua Reynolds.

Mrs. Mathew.

A full-length mezzotint portrait by Dickinson after Reynolds, printed in sepia ink and published in London in 1780.

John Raphael Smith after Sir Joshua Reynolds.

Lady Catherine Pelham Clinton.

Full-length mezzotint portrait engraved by J. R. Smith after Reynolds and published in London in 1782.

William Oakley Burgess after Andrew Morton

Lieutenant General Lord Raglan. General Commanding in Chief The British Forces in Turkey

Three-quarter length mezzotint portrait by Burgess after Morton and published in London by Ackermann in 1841.

Milivoj Uzelac.

Football.

A decorative Pochoir, or stencil, print by Milivoj Uzelec (1897-1977) published in Paris in 1932.

Milivoj Uzelac.

Basque Pelota.

A decorative Pochoir, or stencil, print by Milivoj Uzelec (1897-1977) published in Paris in 1932.

John Harris after J. F. Herring (senior)

Fore's Series of the Mothers
Cart Mare and Foal
Sow and Pigs
Cow and Calf
Duck and Ducklings

Four hand coloured aquatints (of nine), engraved by Harris after Herring and published by Fores in London in 1855.

Charles Turner after C. H. Schwanfelder.

Mons, A celebrated Setter belonging to Tho.s Walker Esq. of Leeds.

A hand coloured mezzotint and line engraving by Charles Turner after the painting by C. H. Schwanfelder, published in Leeds, London and York in 1810.

William Hayes.

Pheasant.

A charming etching in original hand colour, drawn and engraved by William Hayes and published in London as part of his 'A Natural History of British Birds' in 1779.

Rideaux John Selby

Red Breasted Merganser

A large-scale etching in original hand colour, drawn and etched by P. J. Selby and published in London between 1819 and 1834.

Japanese Woodblocks

[Roses.]

A set of six, beautifully colour printed woodblock prints from Japan, circa 1890.

James Bruce

Chain Pier at Brighton

A hand coloured etching and aquatint by James Bruce, published in Brighton in 1824.

G. Hawkins after J. Syer

Bath, from Beacon Hill [&] Bath from Beechencliff

A pair of tinted lithographs by G. Hawkins after Syer and published in Bath circa 1850.

Henry Heath.

Retrenchment or Whiskeranders Crossing the Line (A new route).

A hand coloured etching by Henry Heath, published in London by Fores in 1830.

Thomas Rowlandson.

Batchelor's Fare, Bread Cheese and Kisses.

A delightful hand coloured etching by Thomas Rowlandson, published in London in 1818.

Thomas Rowlandson after George Moutard Woodward.

A Plan for General Reform.
Respectfully submitted to the attention of Members of parliament During the Summer Recess.

A hand coloured etching by Rowlandson after Woodward, published in London in 1809.

Thomas Rowlandson.

Dressing for a Birthday.

A hand coloured etching with additional aquatinting, engraved and drawn by Thomas Rowlandson and published in London in 1788.

Thomas Rowlandson after George Moutard Woodward

Awkward Squads Studying The Graces

A hand coloured etching by Rowlandson after Woodward, published in London in 1809.

Thomas Rowlandson after George Moutard Woodward.

Miseries of Human Life.

A hand coloured etching by Rowlandson after Woodward, published in London circa 1810.

Thomas Rowlandson after George Moutard Woodward.

Twopenny Cribbage.

A hand coloured etching by Rowlandson after Woodward, published in London in 1799.

Roberts after George Moutard Woodward.

The Discovery, or Little Faux Pas.

An etching in vibrant hand colour, engraved by Roberts after Woodward and published in London circa 1803.

W. Rintoul.

The Pledge of Affection.

A colour printed aquatint engraved by W. Rintoul after his own design and published in the King's Road, London in 1821.

Rowlandson [&] Pugin.

Covent Garden Market, Westminster Election.

Aquatint in original colour etched by Thomas Rowlandson and Augustus Pugin after their own design and published in Rudolph Ackermann's 'Microcosm of London', 1808-10.

Rowlandson [&] Pugin.

Lloyd's Subscription Room.

Aquatint in original colour etched by Thomas Rowlandson and Augustus Pugin after their own design and published in Rudolph Ackermann's 'Microcosm of London', 1808-10.

Rowlandson [&] Pugin.

House of Commons.

Aquatint in original colour etched by Thomas Rowlandson and Augustus Pugin after their own design and published in Rudolph Ackermann's 'Microcosm of London', 1808-10.

Reeve [&] Sutherland after Westall [&] Wild

Royal Residences
St. James's Palace
Quadrangle Hampton Court
Carlton House, North Front
Kensington Palace
Hampton Court Palace
Buckingham House

A series of hand coloured aquatints engraved by Reeve and Sutherland after Westall and Wild, published in Pyne's 'History of the Royal Residences' in London in 1819.

Edward Duncan after W. J. Huggins.

To Commodore Francis Augustus Collier C. B. This plate representing H.M. Brig "Black Joke" L.t Henry Downes (Tender to H.M.S. Sybille) engaging the Spanish Slave Brig "El Almirante" in the Bight of Benin, Feb.y 1st 1829 which she captured after a chase of thirty one hours and close action of one hour and twenty minutes, it is most respectfully dedicated.

A hand coloured aquatint by Duncan after Huggins, published in London in 1830.

Henry Papprill after W.Pringle.

This plate representing The Review of the Queen's Own Regiment of Yeomanry Cavalry, on Kempsey-Ham.

An aquatint in original hand colour, engraved by Papprill after Pringle and published in London in 1839.

John Harris after Lieut. Caddy.

Brimstone Hill, St. Kitts.

A hand coloured aquatint by Harris after the drawing by Lieut. Caddy, published in London in 1837.

Luigi Rossini.

Arco di Druso e Porta Capena.

An etching drawn and engraved by Rossini, published in Rome in 1823.

Luigi Rossini.

Veduta dell Arco di Gallieno.

An etching drawn and engraved by Rossini, published in Rome in 1823.

Luigi Rossini

Interno del Pronao del Tempio di Vesta, in Roma

An etching drawn and engraved by Rossini, published in Rome in 1823.

Jacques Chereau.

Vue general de la Ville de Venise, prise de l'entrée du cote du grand canal.

An etching in original hand colour published by J. Chereau in Paris circa 1750.

Francesco Bartolozzi after D. Pellegrini.

Invicto Wellington Lusitania Grata.

A full-length stipple plate portrait by Bartolozzi after Pellegrini, published in London in 1810.

Robert Pollard after Robert Smirke

The attempt to Assassinate the King on the second of August 1786...

A large-scale etching and aquatint by Pollard after Smirke, published in London in 1786.

Henry Alken and Thomas Sutherland

The High Mettled Racer
The Foal
In Training
The Racer
The Hunter
The Post Horse
The Death

A set of six aquatints with original hand colour; engraved by Alken and Sutherland after Alken's designs and published in London in 1821.

Charles Bentley after Henry Alken

A Steeple Chase

A set of six aquatints in original colour, etched by Bentley after Alken and published in London by S. and J. Fuller in 1832.

Evand & Gresty.

Chester Regatta 1854.

A hand tinted etching drawn, engraved and printed by Evans and Gresty of Chester in 1854.

Thomas Fairland after William Barrand

The Keeper's Poney

A hand coloured lithograph by Fairland after Barrand, published in London circa 1840.