Charles Hunt after G. B. Campion

[Moat Park Review]
To Lieut.t Col.l The Earl of Winchelsea (of the East) & Lieut.t Col.l The Earl of Brecknock (of the West) The East & West Kent Regiments of Yeomanry Cavalry, This Plate representing The Review at The Moat Park on Friday the 26th May 1837, Is most respectfully dedicated by the Publishers.

An aquatint and line engraving in full original colour; engraved by Hunt after the drawing by Campion and published in Maidstone and Canterbury in 1837.

Luigi Schavionetti after John Singleton Copley

The Battle of Valmy

A scarce colour printed stipple engraving by Luigi Schavionetti after the painting by John Singleton Copley; published in London circa 1793.

William Heath

British Royal Horse Artillery

1. Review Order
2. Rocket Troop (Review Order)
3. Marching Order
4. Field Battery (Marching Order)

A set of 4 lithographs with original hand colour; drawn on stone by Heath and printed by Graf and Soret. They were published in London by Colnaghi circa 1835.

Whittle and Laurie

The Battle of Waterloo
Wellington and Blucher against Napoleon and the French Army

Etching in original hand colour published by Whittle and Laurie in London in 1816.

J. Harris after Henry Martens

2nd Royal North British Dragoons or Scots Greys

Aquatint in original hand colour; engraved by Harris after Martens and published in London by Ackermann in 1853.

J. H. Lynch after M. A. Hayes

3rd (or, The Prince of Wales) Dragoon Guards
Heavy Marching Order

A hand coloured lithograph by Lynch after Hayes; published in London circa 1840.

John Dicks after Luke Clennell

The Charge of the Life Guards at the Battle of Waterloo

A chromolithographed plate of this most famous depiction of one of the most decisive moments during the Battle of Waterloo. Published by John Dicks in London circa 1860.

John Burnet after Atkinson and Devis

To his Royal Highness The Prince Regent, This plate of the Battle of Waterloo on 18th June 1815 is with his gracious permission dedicated by His Royal Highness's most obedient and devoted humble servants, Hurst Robinson and Co.

Scarce etching on copper plate; drawn and engraved by Burnet after the painting by Atkinson and Devis. Published in London in 1819.

D. Sluyter after J. Kamphuyzen

H.D.H. Jorst Blucher van Walstadt en Lord Wellington
Prins van Waterloo

A colour-printed stipple engraving by Sluyter after Kamphuyzen; published in Amsterdam circa 1815.

Bougemont?

[French Dragoon Guard.]

Fine lithograph, dated 1843 in image.

Maclure

The Battle of Balaclava, 25th October 1854
Drawn by Lieutenant Colonel Adye, Assistant Adjunct-General, Royal Artillery. Assisted by Captain Tupper, Royal Horse Artillery

A lithograph, in original hand colour, by A. Maclure after the sketches by Colonel Adye; published in London by Colnaghi in 1855, a year after the battle.

James WARD after William Beechey

His Majesty Reviewing the third or Prince of Wales's Regiment of Dragoons & the Tenth or Prince of Wales's Regiment of Light Dragoons

A striking mezzotint engraving by James Ward after the painting by Sir William Beechey RA, published in London by J. Ward in 1793. The plate is dedicated by Ward to "The Queen's Most Excellent Majesty".

Robert BOWYER

View from Mont St. Jean of The Battle of Waterloo at the commencement of the grand charge made on the French about 7 o'clock in the Evening of the 18th June 1815.

A hand coloured aquatint depicting the decisive engagement at The Battle of Waterloo, published by Robert Bowyer in London in 1816.

Augustus Butler after A. F. de Prades

2nd Royal North British Dragoons Scots Greys ~ Chobham 1853

A lithograph in original colour by Augustus Butler after the drawing by Prades; published in London in 1854.

Richard Simkin

2nd Royal North British Dragoons (Scots Greys)

A charming watercolour by Richard Simkin painted in 1874.

Steven Dohanos

Bits of Careless Talk are Pieced Together by the Enemy.

Coloured lithographic poster, published by the US Office of War Information in 1943.

Thomas Malton after G. F. Koehler

GENERAL ELLIOT on the KING'S BASTION GIBRALTAR Septr. 13th 1782. Most Humbly Inscribed to the OFFICERS of the ROYAL REGIMENT of ARTILLERY

An aquatint engraving by Thomas Malton after the drawings of G. F. Koehler, Aid de Camp and Master Engineer. Published in London in 1788.

Nicholas PELLERIN and Francois GEORGIN

NAPOLEONIC BATTLES

A group of six wood block engravings by Nicholas Pellerin and Francois Georgin in full original hand colour, published by the Pellerin family firm in Epinal circa 1850.

CHARON after AUBRY

Soult
Suchet

A pair of aquatint and stipple plate engravings in original colour published in Paris in 1820. Framed & glazed.

Thomas Sutherland after William Heath

The Battle of Waterloo, June 18th 1815

Aquatint in full original colour; engraved by Sutherland after Heath and published in London in 1815