William Dickinson after Henry Bunbury

How to make the least of a Horse

A stipple plate engraving finished with original hand colour; engraved by William Dickinson after the drawings of Henry Bunbury and published in London 1791.

John Bowles

Rural Life [The Butter Churner]

A charming, small scale mezzotint, engraved by Faber after Houston and published in London for John Bowles circa 1760.

Thomas Rowlandson

Dr. Syntax Robb'd of his Property

Hand coloured etching with additional aquatinting, published in London 1821.

J. L . Marks

Very Ill

Etching in original hand colour; published by J. L. Marks in London circa 1870.

J. L . Marks

Very Wet

Etching in original hand colour; published by J. L. Marks in London circa 1870.

Vanity Fair.

Automobile (The Comte de Dion)
12th October 1899.

Chromolithograph, published 1899.

H. Schutz after Thomas Rowlandson

Smuggling In or a College Trick [&] Smuggling Out or Starting for Gretna Green

A pair of hand coloured aquatint and line engravings; published in London by Ackermann in 1810.

Richard Houston

HA! HA! HAH!____I've got the last Chink

A mezzotint droll with faint hand colour, printed for Carington Bowles in London circa 1780.

Robert Sayer

The Last Drop

A mezzotint droll published by Robert Sayer in London in 1787.

Thomas Landseer after Sir Edwin Landseer

To the Right Honourable John Singleton Copley, Lord Lyndhurst, Lord High Chancellor of England, this engraving of Laying Down the Law, is by special desire dedicated to His Lordship by his obedient humble servant Thomas McLean.

Large-scale etching by Thomas Landseer after the painting by his elder brother, Sir Edwin Landseer; published in London in 1843.

H. C. Minories after John Fairburn

Courtship

A charming lithograph with original hand colour. Lithographed by Minories after Fairburn and published in London circa 1840.

H. C. Minories after John Fairburn

Matrimony

A charming albeit portentous scene with original hand colour; lithographed by Minories after Fairburn and published in London in 1838.

Thomas Rowlandson

Pastime in Portugal or a Visit to the Nunnerys

An etching in original hand colour by Thomas Rowlandson; published in London by Tegg in 1811.

R. Sayer and J. Bennett

A pair of mezzotint drolls
1. The Elopement, or a Tripp to Scotland
2. The Return from Scotland, or Three Weeks after Marriage

An amusing pair of mezzotint Drolls published by Sayer and Bennett in London in 1777.

Philip Dawe

The Scramble or Old Gripus plunder'd by his Young Wife

A scarce mezzotint caricature, or droll, published in London in 1773

James Gillray

A corner near the Bank - or - An example for Fathers

An etching with modern hand colour published in the Bohn edition of Gillray's Complete Works; London 1849

James Gillray

Tales of Wonder!

An etching with modern hand colour published in the Bohn edition of Gillray's Complete Works; London 1849

William Hogarth

Scholars at a Lecture

Etching on copper, published in London by Robert Sayer in 1768

H. M. Bateman

"Mother ventures an opinion" [&] "Father puts his foot down"

A pair of caricatures issued in "Brought Forward", a collection of Bateman's work; published in London in 1931

P. Bellew

"Well, Madam, if I were a man, I'd have that one"

Lithograph published in New York in 1930

Currier and Ives (Thomas Worth)

A pair of humorous betting caricatures

1. The "Crowd" that Scooped the Pool
2. The "Sports" who lost their Tin

A pair of hand coloured lithographs by Thomas Worth; published by Currier and Ives at 115, Nassau Street, New York in 1878.

Anonymous.

Cross Readings Near Charing Cross. No 2.
To be read downwards.

Wood engraving with fine hand colour, published c.1855.

Robert POLLARD

Politics

A scarce aquatint and line engraving drawn and engraved by Robert Pollard after Katherine Maria Fanshaw, with aquatinting by J. Wells. Published in London by M. Ryland in 1791.

George Cruikshank.

Behold at Brook's step-nay! I'll be bound to say, A figure such as this you'll see there every day-.

Etching with original hand-colour, 'Drawn by an Amateur' and etched by George Cruikshank, published by Hannah Humphrey, in London June 15th 1815.

S.W. Fores.

A cool pipe in Pall Mall! Symptoms of equality.

Etching with original colour, published by S.W. Fores April 1st, 1800.

after James Gillray.

Two-Penny Whist.

Etching with original hand colour, after the original published by Hannah Humphrey in 1796.

Thomas Rowlandson after George Moutard Woodward.

The Bull and Mouth.

Etching with original hand colour, published in London by Thomas Tegg, December 24th 1808.

Thomas Rowlandson.

Crimping a Quaker.

Etching with original hand colour, published by Thomas Tegg, 1814.

Thomas Rowlandson.

Hiring a servant.

Etching with original hand colour, published by Thomas Tegg, c1811.

Thomas Rowlandson.

Spit Fires. Tegg's Caricatures No 44.

Etching with original hand colour, published by Thomas Tegg, c.1810.

Thomas Rowlandson after George Moutard Woodward.

All Fours.

Etching with original hand colour, published by William Holland, London, 1805.

Isaac Cruikshank after George Moutard Woodward.

The Long Headed Minuet.

Etching with original hand colour, published by Thomas Tegg, c.1807.

Isaac Cruikshank? after George Moutard Woodward.

Reasonable Charges or Ducks metamorphosed!

Etching with original hand colour, published by Thomas Tegg, c.1805.

Carington Bowles

THE ANGELIC ANGLER
To be decoy'd is Men and Fishes Fate – With Cupid's Line when Beauty is the Bait

A charming hand coloured mezzotint engraving published by Carington Bowles in London in 1780.

Carington Bowles

THE STUDIOUS BEAUTY

A charming hand coloured mezzotint engraving published by Carington Bowles in London in 1778.

Thomas ROWLANDSON

The Garden Trio

One from a larger series of hand coloured etchings with additional aquatinting, published as part of Thomas Rowlandson's charming and humorous work, The Tour of Dr. Syntax, London 1820.

Anon

A pair of humorous Victorian Valentines

An amusing pair of colour printed lithographs published in London circa 1880.

Isaac Cruikshank after Woodward

A Hint to the Ladies or a Visit from Dr. FLANNEL

An etching by Isaac Cruikshank after George Woodward in full original hand colour and published by Thomas Tegg in London in 1807.

George Hunt after Theodore Lane

Amorous, Clamorous, Uproarious & Glorious: All coming from a Public Dinner

A hand coloured aquatint by George Hunt after the drawing of Theodore Lane, published in London in 1825.

Thomas Rowlandson

John Bull at the Italian Opera

An etching by Thomas Rowlandson in full original hand colour, published in London 1811.

William Dickinson after Henry Bunbury

The Country Club

A humorous stipple plate engraving printed in sepia ink with additional hand colour. Drawn by Henry Bunbury, engraved by William Dickinson and published in London in 1788.

Joseph SCHOLZ

Drinkers

A lithograph in vibrant, original hand colour published by Joseph Scholz in France and Holland between 1850 and 1860.

N. CURRIER.

The Independent Gold Hunter on his Way to California. I Neither Borrow or Lend.

A charming lithograph in original hand colour by Nathaniel Currier (1813-1888) published in New York between 1849 and 1852.

Carington BOWLES

The Lilly-White Macaroni.

A charming mezzotint droll published in London circa 1772.

Isaac Robert CRUIKSHANK

Caricatures
1. Honour and Magnanimity
2. The Pleasures of Angling

Two from a larger series (more available) of hand coloured etchings by Isaac Robert Cruikshank (1789-1856); published by Thomas Boys of Ludgate Hill, London, in 1819.

Robert DIGHTON

Two Impures of the Ton driving to the Gigg Shop, Hammersmith

An etching in original hand colour, engraved by Robert Dighton and published by Sayer and Bennett in Cheapside, London in 1781.

George HUMPHREY

The Interior of a Midshipman's Birth

A hand coloured aquatint drawn by an anonymous naval officer and published by Humphrey at his famous print-publishing business on St. James's Street in 1821.

Thomas McLEAN

New Principles, or the March of Invention

A hand coloured etching published by Thomas McLean in London in 1830.

Robert SAYER and John BENNETT

The Love Letter [&] The Contemplative Charmer

A delightful pair of Georgian drolls depicting society beauties swooning for their lovers' embrace. These prints are executed in mezzotint and heavily coloured with watercolour and gouache as was typical of this form of engraving. They were published by Sayer and Bennett in Fleet Street, London in 1784 and 1780 respectively.

Carington Bowles

The Sailor's Pleasure. / When Storms and Tempests all are o'er, / And Jack receives his Cash on shore, / Then for his Doxies all he'll send, / What's dearly earn'd he'll freely spend.

A charming mezzotint droll published in London by Carrington Bowles circa 1790.

John Mortimer

Falstaff [&] Bardolph

A pair of copper plate etchings published by J. Mortimer in London in 1775 and 1776.

Charles Knight after Henry Bunbury

A Dancing Bear

A stipple plate engraving printed in sepia ink, engraved by Charles Knight after the drawing by Henry William Bunbury, published in London by W. Dickinson 1785.

Spy

Young Hopeful [Herbert John Gladstone MP]

One from a large series of chromolithographed plates published in issues of Vanity Fair during the latter half of the nineteenth century. This plate was published in 1882

£95

Unframed

Ape for Vanity Fair

Baron Lionel [Baron Lionel Nathan de Rothschild]

One from a large series of chromolithographed plates published in issues of Vanity Fair during the latter half of the nineteenth century. This plate was issued in 1877.

£95

Unframed

C. BURCKARDT

[Pair of Firemen]

Chromolithographic posters by C. Burckardt, published in Weissenburg in the southern region of Alsace, circa 1880.

£1200
Pair
Unframed

Joseph SCHOLZ

Gunsman

A lithograph in vibrant, original hand colour published by Joseph Scholz in France and Holland between 1850 and 1860.

Others available

£285

Charles KNIGHT after R. Boyne

Tragic Readings &
Comic Readings

A pair of colour printed stipple plate engravings by Charles Knight after the paintings by R. Boyne, published in London in 1791.
Each 22 x 18". Framed.

£3,500

Thomas ROWLANDSON

THE TOUR of Dr. SYNTAX
Doctor Syntax at an Auction

One of a series of hand coloured etchings with aquatint, published in The Tour of Dr. Syntax, London 1820.

Thomas ROWLANDSON after WOODWARD.

The Bull and Mouth.

Copperplate etching with original hand colour by Rowlandson after Woodward.
Plate size 13 x 9 inches.

James GILLRAY

Various caricatures

Copper plate engravings with later hand colour published in Bohn’s Complete Works of James Gillray in London in 1849.

Rudolph ACKERMANN

Exhibition of Water Coloured Drawings, Old Bond Street.

An aquatint in fine original colour, etched by Stadler after Thomas Rowlandson & Charles Augustus Pugin, published by Ackermann, London 1808. One of the series "Ackermann's Microcosrm of London", many others available.

C. BURCKARDT

ACTORS, ENTERTAINERS and CIRCUS PERFORMERS

Lfe size lithographed portraits by C. Burckardt and others, published in Weissenburg in the southern region of Alsace, circa 1880.
29½ x 68¼".

Fiddle Player	Trombonist	Mephistopheles

SOLD - OTHERS AVAILABLE