Fairland after Nicholson

The Devon Breed

Lithograph in original hand colour drawn on stone by Fairland after the illustration of Nicholson and published by David Low, London 1841.

Fairland after Nicholson

The Glamorgan Breed

Lithograph in original hand colour drawn on stone by Fairland after the illustration of Nicholson and published by David Low, London 1841.

John Gould

Buff-Breasted Tringa

Lithograph in full original hand colour issued in John Gould's "Birds of Europe" in London between 1832 and 1837.

John Gould

Whimbrel

Lithograph in full original hand colour issued in John Gould's "Birds of Europe" in London between 1832 and 1837.

William Hayes

Sheldrake

An etching by William Hayes with original hand colour; published in "Portraits of Rare and Curious Birds, with their descriptions, from the Menagerie... at Osterley Park", London 1777.

Beverley Morris

Great Snipe [&] Brown Snipe

Steel plate engravings with original hand colour by Beverley Morris and published in London in 1855.

George Brookshaw

Figs

Colour printed stipple plate engravings; published in London in 1817.

J. L . Marks

Very Ill

Etching in original hand colour; published by J. L. Marks in London circa 1870.

J. L . Marks

Very Wet

Etching in original hand colour; published by J. L. Marks in London circa 1870.

Caietani Albizzini

Shells

Pair of etchings with later hand colour; engraved by Pazzi afet Menabuaoni and published in Florence in 1742

William Leney after Henry Fuseli RA

Shakespeare, second part of King Henry the Fourth, Act II Scene IV
Doll Tearsheet, Falstaff, Henry & Poins

Large scale etching from Boydell's "Shakespeare" published in London in 1795.

J. Fairburn

The Young Governess [&] The Faithful Friend

Etchings with vibrant hand colour; published by J. Fairburn in London circa 1870.

Jazet after Horace Vernet

Judith and Holofernes

Mezzotint engraving by Jazet after the oil painting by Horace Vernet; published in Paris circa 1850.

William Evans

Lieu.t General Lord Hill KB

Etchings with original hand colour; published in London in 1815.

William Evans

The Duke of Wellington

Etching with original hand colour; published in London in 1815.

Anon Italian

The Leaning Tower at Pisa

Etching with original watercolour and gouache; published in Italy circa 1850.

Francis Jukes after T. Walmsley

View of Bally Hooly Castle Co. Cork

An aquatint in exceptional original hand colour; engraved by Francis Jukes after Walmsley and published in London in 1836

Laurie and Whittle

Grand Cairo; the Metropolis of Africa

An etching in original hand colour; published in London by Laurie and Whittle circa 1790.

John Jones after Sir Joshua Reynolds

Lord Henry and Lady Charlotte Spencer

Stipple plate engraving printed in sepia ink. Engraved by John Jones after the portrait by Reynolds and published in London in 1790.

Edward Duncan after John Ferneley

St. Giles, Winner of the Derby Stakes at Epsom, 1832, Rode by W. Scott

Aquatint in original colour, engraved by Duncan after Ferneley and published by Ackermann in London in 1832.

John Harris after Harry Hall

Gladiateur.
Winner of the 2000 Guineas Stakes at Newmarket, the Derby Stakes at Epsom & of the Great St. Leger at Doncaster in the year 1865.

Aquatint in original hand colour, engraved by John Harris after the painting by Harry Hall and published in London in 1865.

Vanity Fair.

Automobile (The Comte de Dion)
12th October 1899.

Chromolithograph, published 1899.

P. Tardieu after Kimli.

L'Espoir de Retour.

A scarce etching by Tardieu after the painting by the French artist Kimli; published in Paris circa 1790.

Vue d'Optique.

Vue Perspective de Couvent Garden (Perspective View of Covent Garden).

A copper plate engraving with original hand colour; published in Paris circa 1750.

Thomas Davidson.

Nelson's Last Signal at Trafalgar.
England expects that every man will do his duty.

A large black and white photogravure, commissioned by The Illustrated Sporting and Dramatic News and published as a special supplement in London in 1912.

Damiers.

A General View of the City of Vienna.

A copper plate etching with original hand colour; engraved by Damiers for Laurie and Whittle and published in London in 1818.

W. Barnard after Lemuel Francis Abbott

To the Right Hon.ble Lady Nelson, This Portrait of the Right Hon.ble Admiral Lord Nelson, K.B. Is with permission humbly Dedicated by her Ladyship's most obedient, grateful Servant W. Barnard.

A full-length mezzotint portrait of Admiral Horatio Nelson by Barnard after Abbott; published in London in 1799.

John Dixon after Rembrandt.

Rembrandt's Frame Maker.

A half-length mezzotint portrait done from the original painting in the collection of the Duke of Ancaster. Engraved on copperplate by Dixon after Rembrandt and published in London in 1769.

Joseph Grozer after Sir Joshua Reynolds.

Master Braddyll.

A full-length mezzotint portrait by Grozer after Reynolds; published in London in 1785.

Joseph Grozer after Sir Joshua Reynolds.

Right Hon.ble Lord John Cavendish.

A half-length mezzotint portrait by Grozer after Reynolds; published in London in 1786.

James McArdell after Sir Joshua Reynolds.

Lady Fortescue.

A three-quarter length portrait of Lady Anne Fortescue by McArdell after Reynolds; published in London in 1757.

Karl Joseph Brodtman

Wild Animals

A very decorative group of 10 elephants, big cats and rhinoceros which are, arguably, the best examples of Brodtman's work. These images are rendered with great sensitivity and met with great acclaim when they were published in the early nineteenth century. Lithographs (in full original hand colour) by Karl Joseph Brodtmann, published in Zurich in 1825.

C. Moody after B. Hubbard

The Prize Heifer Flower

A lithograph in full original hand colour; lithographed by Moody after Hubbard and published in Lincolnshire circa 1850.

Edward Julius Detmold

Cockerel

A magnificent, large scale etching of a Cockerel or Rooster; published in London in 1901.

Chinese Watercolours

Fruits

A decorative set of four Chinese watercolours depicting pomegranates, melons, kumquats and something resembling a lemon; painted in southern China circa 1860.

Richard Earlom after Thornton and Reinagle

Roses [&] Tulips

Roses: Mezzotint with aquatint and stipple, printed in colours and hand-finished, after Thornton, dated 1805. Tulips: mezzotint, printed in colours and hand finished, after Philip Reinagle, dated 1798. Both were engraved by Richard Earlom.

Carlo Antonio Porporati after Antonio Corregio

Leda Bathing

A very fine etching on copper executed by Porporati (1741-1816) after the painting by Corregio and published in Paris during the 1770s.

J. Louis Darcis after Henry Singleton

Industry and Oeconomy [&] Extravagance and Dissipation

A very fine pair of colour printed stipple plate engravings by Darcis after Singleton; published in London in 1800.

William Ward after W. R. Bigg

The Sailor's Orphans or The Young Ladies' Subscription

A mezzotint, printed in colours and hand-finished, engraved by Ward after William Redmore Bigg RA; published in London in 1800.

Thomas Dutton after F. L. B. Bedwell

H.M.S. Calcutta 84 Guns
In a gale on the 22nd April 1858, in the Gulf of Pechill China.

Tinted lithograph by Dutton after Bedwell's drawing and published in London by Day and Son in 1858.

J. Harris after Henry Martens

2nd Royal North British Dragoons or Scots Greys

Aquatint in original hand colour; engraved by Harris after Martens and published in London by Ackermann in 1853.

J. H. Lynch after M. A. Hayes

3rd (or, The Prince of Wales) Dragoon Guards
Heavy Marching Order

A hand coloured lithograph by Lynch after Hayes; published in London circa 1840.

1940s Film Poster

Sally Gray

A chromolithographed film star poster published in London towards the end of the 1940s.

Edward Fisher after Sir Joshua Reynolds

The Honourable Augustus Keppel
Commander of His Majesty's Ship, The Torbay on the 20th November 1759.

A three-quarter length mezzotint portrait engraved by Edward Fisher after Reynolds; published in London in 1760.

Thomas Frye

[Gentleman with Cape]

A half-length mezzotint portrait by Thomas Frye; published in Hatton Garden, London in 1760.

Valentine Green after Sir Joshua Reynolds

Mary Isabella, Duchess of Rutland

A full-length mezzotint portrait by Green after Reynolds; published in London in 1780.

John Smith after John Richardson

David Boyle, Earl of Glasgow
Viscount of Kelburn, Lord Boyle of Stewartoun, Cambray, Fenwick, Largs & Dalrye, One of ye Lords of Her Majesties most honourable Privy Council of ye Kingdom of Scotland, One of the Lords Commissioners of Her Majesties Treasury & Exchequer, Lord Treasurer Deputy of ye said Kingdom, Her Majesties Commissioner to ye General Assembly of ye Church of Scotland & since ye Union of Great Britain, Lord Register of Scotland &C

A mezzotint portrait by John Smith after the painting by Richardson; published in London in 1711.

John Smith after Sir Godfrey Kneller

John, Earl of Mar
Lord Erskine Garioch & Alloa, Heritable Governor Constable & Captain of Starling Castle, Principal Secretary of State for Scotland, one of Her Majesties most Honourable Privy Council of Great Britain and Knight of the most Ancient and most Noble Order of ye Thistle &c

Mezzotint portrait within an etched border, engraved by John Smith after the portrait by Kneller; published in London in 1707.

Thomas Watson after Sir Joshua Reynolds

Mrs. Crew

Mezzotint, engraved by Watson after Reynolds and published in London in 1773.

E. Cooper and Francis Kyte after Nicholas Hilliard

Queen Elizabeth
Born at Greenwich Sep 7 153. Crownd Nov the 17 1558. Died March the 24 1602/3 Aged 70 F. Kyte Fecit

An oval, half-length, mezzotint portrait of Queen Elizabeth I engraved by Francis Kyte after the earlier engraving by Cooper and after the portrait by the court painter Francis Hilliard; published in London circa 1730.

Robert Laurie

Princes George and Frederick

Mezzotint, proof before letters, inscription area still with traces of mezzotint, engraved by Robert Laurie after his own design; published in London in 1772.

S. W. Fores

Thos Spring. Champion of England

Etching and stipple on copper with full original hand colour; published by S. W. Fores in London in 1825.

John Harris

Harry Hieover on Tilter

A large-scale aquatint in full original colour; engraved by John Harris and published by Ackermann in London,1852, presented in a magnificent hand carved gilt frame.

G. and C. Hunt after J. F. Herring

James Nunn on his Favourite Old Hack, Foreman many years to W. Chaplin Esq.

An aquatint in full original colour; engraved by George and Charles Hunt after the painting by John Francis Herring and published in London by John Moore circa 1835.

Jean Baptiste after Nicolas de Poilly

Bouquets of Flowers

A pair of hand coloured engravings of flower arrangements originally engraved by Jean Baptiste after the paintings by the C17th artist Nicolas de Poilly and reissued in London by Tiranti and Co. circa 1880.

Bowles and Carver

The Royal Castle and Palace of Windsor in Berkshire

A copper plate etching in strong, original hand colour; published in London circa 1790.

Richard Houston

HA! HA! HAH!____I've got the last Chink

A mezzotint droll with faint hand colour, printed for Carington Bowles in London circa 1780.

Robert Sayer

The Last Drop

A mezzotint droll published by Robert Sayer in London in 1787.

H. Schutz after Thomas Rowlandson

Smuggling In or a College Trick [&] Smuggling Out or Starting for Gretna Green

A pair of hand coloured aquatint and line engravings; published in London by Ackermann in 1810.

J. P. Reynolds

Got to Keep Going

A screen print of Alf Tupper reworked from The Rover and Victor, two of D. C. Thomson's comics where the character appeared from the 1940s onwards. The image is printed on hand made Somerset paper and issued in a limited edition.

John Fairburn

The Four Seasons

A scarce set of four mezzotint engravings depicting the four seasons, with captions taken from Thompson's Seasons, published by John Fairburn in London June 1st 1796.

Philip Dawe after Henry Morland

Lady's Maid Soaping Linen

A black and white mezzotint engraving by Philip Dawe after the painting by Henry Moreland, published in London by Carington Bowles in 1770.

Auguste Blanchard after William Frith

A large-scale etching by Auguste Blanchard after the famous painting by William Powell Frith (1819-1909); published in Pall Mall, London by Henry Graves and Co. in 1863.

William Hogarth

The Company of Undertakers

A copper plate etching by William Hogarth in which he mocks the medical profession; published in London by Robert Sayer in collaboration with Jane Hogarth, 1767.

Vue d'Optique

The South West Prospect of London

A hand coloured copper plate engraving published in London circa 1750.

Thomas Dutton

[A Pair of East India Company Trading Ships]

The ALFRED, EAST INDIAMAN, 1400 TONS.
To Captain A. Henning & the Officers of the Ship...
[&]
The EARL BALCARRAS, EAST INDIAMAN, 1488 TONS. To Mess.ss J. F. & I. Somes, Capt.n H. Morris & the Officers of the Ship...

A pair of hand coloured lithographs, drawn and lithographed by Thomas Dutton and published by William Foster in London circa 1870.

Edward Walker after O. W. Brierly

Fatshan Creek
The Raleigh's gig sinking, and crew disabled, Commander Keppel, shaking his fist at the enemy exclaims, "You Rascals, I'll pay you for this" To Rear Admiral Sir Michael Seymour K. C. B. &&& This print representing part of the attack by the Boats of the Fleet under the command under the reserve of the Enemy's Junks in Fatshan Creek on the 1st June 1857, is respectfully dedicated by The Publishers

A hand coloured lithograph by Walker after Oswald Brierly; published in London in 1857.

John Dicks after Luke Clennell

The Charge of the Life Guards at the Battle of Waterloo

A chromolithographed plate of this most famous depiction of one of the most decisive moments during the Battle of Waterloo. Published by John Dicks in London circa 1860.

John Bowles after Zocchi

A View of Florence taken from above the Bridge called Rubaconte on the River Arno

A copper plate engraving in strong original colour; published in London by Robert Wilkinson in 1790.

Thomas Bowles

The Aelian Bridge and Castle of St. Angelo with part of the City of Rome

Copper plate engraviung with vibrant original hand colour, engraved by Thomas Bowles and published in London by Robert Wilkinson circa 1790.

Laurie and Whittle

A Perspective View of the City of Naples

Copper plate engraving with vibrant original hand colour; published in London in 1794.

Parr after Johannes Zocchi

A View of Florence on the side of the Arno and of Trinity Bridge taken from the Palace of Signior Capponi [&] A View of the Palaces of the Seigniors Corsi and Viviani at Florence

A pair of copper plate engravings in vibrant original hand colour; published in London by Laurie and Whittle in London

Richard Earlom after Sir Joshua Reynolds

George Augustus Eliott, Lord Heathfield of Gibraltar

A three-quarter length portrait, stipple engraved by Earlom after Reynolds; published in London in 1788.

Joseph Marchi after Sir Joshua Reynolds

George Colman

A mezzotint engraving by Marchi after the portrait by Joshua Reynolds; published in London in 1773.

Henry Meyer after J. Jackson

John Nichols F. S. A. AETAT LXVI

A half-length mezzotint portrait engraved by Henry Meyer after the portrait by J. Jackson; published in London in 1811.

William Ward Jnr. after Sir Joshua Reynolds

The Right Honourable Frederick Howard, Earl of Carlisle K. T. &c &c &c

A full-length mezzotint portrait of the young Earl of Carlisle engraved by Ward after Reynolds and published in London in 1823.

Thomas Watson after Sir Joshua Reynolds

Polly Kennedy

A three-quarter length mezzotint, rare proof before title, by Thomas Watson after Reynolds; published in London in 1771.

Sayer and Bennett

Pointers and Pheasants.

A mezzotint engraving in vibrant hand colour; published by Sayer and Bennett in London in 1775.