William Darton.

[Set of Six exotic animals.]

Six hand coloured etchings, published by Darton in London in 1825.

Anonymous.

[Set of six fish prints]

Six hand coloured lithographs, published in Germany, c.1770.

Anonymous.

[Set of six Japanese woodcuts of birds.]

Six woodcuts with hand colour, published in Japan c.1880.

George Brookshaw

[Set of six apples.]

Fine colour-printed stipples, published in London in 1817.

Alice B. Ellis and Edith Bull.

[Set of six English apples & pears.]

Six chromolithographic plates after Ellis and Bull , lithographed by G. Severeyns in Brussels and published by Jakeman and Carver in London, 1876-1885

House of Astra.

[Set of six plates of Ladies' fashion from the 1960s.]

Six chromolithographs produced for the House of Astra for the summer of 1967.

After Marcellus Laroon.

[The Cryes of the City of London Drawne after the Life.]

Set of six etchings after Marcellus Laroon, published by Henry Overton in London in 1711.

Eugène Alain Séguy.

[Six 'Suggestions for Stuffs and Carpets'.]

Six pochoir prints, published in Paris by Massin & Cie in 1923.

W.H. Pyne.

[Set of six interiors of Carlton House.]

Six aquatints with fine hand colour, drawn by C. Wild and engraved by Sutherland, Reeve & Havell, published in London in 1819.

Martinet.

[Set of six views of French gardens]

Six lithographs with hand colour, published by Parinet in Paris c.1860.

Anonymous.

Six photographic prints of the temples of Upper Egypt

Six photographic prints, mounted on original card with faux platemark, published c.1900.

[Various artists]

[Set of six Victorian Politicians]

Stipple and line etchings on steel, published in London c.1839.

Jacques Barraband

Jeune Pongo ou Orang-Outang

A small, colour printed stipple plate engraving after Barraband; published in Paris circa 1820.

A. Godard

NINA (Pouliniere Anglaise)

Lithograph in original hand colour published by Godard in Paris circa 1840.

Johann Seligmann after George Edwards

FALCO Americanus maculates and AQUILA cauda alba Americana

Etching in original hand colour engraved by Johann Seligmann (1720-1762) after the life drawing of the English Natural Historian, George Edwards; published in Germany circa 1760.

Xaverio Manetti

Merlo in gran parte bianco

A copper-plate etching in original hand-colouring, published in Florence in 1767-76.

Bulletin d'Arboriculture

Melon Cantaloup President Greig

Chromolithographed, published Paris circa 1864.

Charlotte Younge

Cucumber

Hand coloured lithograph by Charlotte Younge published in London i n 1858.

Johannes Kip after Leonard Knyff

Maddingley, the seat of Sir John Cotton Bar.tt Within two miles of Cambridge

A hand coloured copper plate engraving, published in London in 1724.

Vue d'Optique

Vue Perspective de Pont neuf, construit sue la Tamise a Hampton Court

An etched optical view with strong original hand colour; published in Paris circa 1760.

William Dickinson after Henry Bunbury

How to make the least of a Horse

A stipple plate engraving finished with original hand colour; engraved by William Dickinson after the drawings of Henry Bunbury and published in London 1791.

John Bowles

Rural Life [The Butter Churner]

A charming, small scale mezzotint, engraved by Faber after Houston and published in London for John Bowles circa 1760.

Thomas Rowlandson

Dr. Syntax Robb'd of his Property

Hand coloured etching with additional aquatinting, published in London 1821.

Le Bon Genre

Costumes Francais et Uniformes Anglais

Hand coloured etching published in Paris, circa 1830.

Scotson-Clark

Marguerite Cornille

A charming coloured lithograph by G. Scotson-Clark; published in London by Fisher Unwin circa 1900.

William Ward after Francis Wheatley

THE DISASTER

A mint condition mezzotint by William Ward after Francis Wheatley; published in London by J. R. Smith in 1789.

Thomas Rowlandson and Augustus Pugin

The Mint

Aquatint in fine original colour, published in London in 1819.

Vue d'Optique

An inside view of the Rotundo in London

A hand coloured, copper plate engraving, published in London circa 1750.

Currier and Ives

Sinking of the Steamship OREGON of the Cunard Line

A lithograph in original hand colour published by Currier and Ives in New York in 1878.

John Chapman after Henry Singleton

To Mrs. Campbell, This engraving from a Picture in her possession of ROBERT CAMPBELL Esq.r LIEUTENANT COLONEL COMMANDANT of the Royal Greenwich Volunteers.

A full-length portrait etched on copper by John Chapman after the painting by Henry Singleton and published in London in 1810.

Antoine Maurin

Lord Raglan (Fitzroy Somerset) Commandant en chief de l'Armee Anglaise en Orient

A half-length lithographic portrait by the French lithographer, Antoine Maurin; published in Paris and New York circa 1855.

John Faber after Sir Godfrey Kneller

Charles Montagu, Duke of Manchester

Mezzotint engraved by John Faber after the painting by Sir Godfrey Kneller and published in London in 1735.

John Bromley after R. Bowyer

His Royal Highness Frederick, Duke of York

Half-length mezzotint portrait by Bromley after Bowyer; published in London in 1828.

John Scott after Philip Reinagle

Bull Dog

Very fine etching by Scott after the painting by Philip Reinagle; published in London in 1803.

John Scott after Philip Reinagle

Setter

Very fine etching by Scott after the painting by Philip Reinagle; published in London in 1803.

John Selby

Little Bustard

Etching in original hand colour published in P. J. Selby's "Illustrations of British Ornithology" in London in 1834.

John Selby

Ptarmigan

Etching in original hand colour published in P. J. Selby's "Illustrations of British Ornithology" in London in 1834.

Johannes Weinmann

Convulvulus

Copper plate engraving by Johannes Weinmann, partially printed in outline colour and finished by hand; published in Germany between 1737 and 1745.

Johannes Weinmann

Fritillaria

Copper plate engraving by Johannes Weinmann, partially printed in outline colour and finished by hand; published in Germany between 1737 and 1745.

Johannes Weinmann

Malus

Copper plate engraving by Johannes Weinmann, partially printed in outline colour and finished by hand; published in Germany between 1737 and 1745.

Johannes Weinmann

Protea

Copper plate engraving by Johannes Weinmann, partially printed in outline colour and finished by hand; published in Germany between 1737 and 1745.

Bernard Picart

Academic Drawing

Etching on copper by Bernard Picart; published in Paris circa 1700.

Bernard Picart

Academic Drawing

Etching on copper by Bernard Picart; published in Paris circa 1700.

A. P. Waltener

Lenief

A lithograph with pochoir colouring published in Paris in 1931.

William Ward after George Morland

The Country Stable

A mezzotint engraving by William Ward after the painting by George Morland; published in London in 1792.

Joseph Stadler after Farrington RA

Woolwich

Aquatint printed in sepia ink; engraved by Stadler after Farrington and published in Boydell's "History of the Thames" in London 1795.

Toms for Maitland

London Bridge

Copper plate etching by Toms; published in Maitland's "Survey of London" in 1756.

Toms for Maitland

The Royal Exchange

Copper plate etching by Toms; published in Maitland's "Survey of London" in 1756.

Thomas Sutherland after William Heath

The Battle of Waterloo, June 18th 1815

Aquatint in full original colour; engraved by Sutherland after Heath and published in London in 1815

Whittle and Laurie

The Battle of Waterloo
Wellington and Blucher against Napoleon and the French Army

Etching in original hand colour published by Whittle and Laurie in London in 1816.

R. Parr after Michael Marieschi

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with the Monastry situate on the Grand Canal of Venice.

An etching with original hand colour; engraved by Parr after the Italian artist Michael Marieschi and published by Robert Wilkinson in London circa 1790. This delightful view of the church across the Grand Canal is unusual in that it has been embellished with what is called "tinsel decoration", small, jewel like pieces of cut glass that add sparrkle to the print.

Robert Sayer

The Church of St. Peter's at Rome

Etching on copper plate with original hand colour; published by Robert Sayer in London circa 1780.

John Smith after Sir Godfrey Kneller

John Sheffield, Earle of Mulgrave, L.d Chamberlain of his Majesties Household &c &c

A half-length mezzotint portrait of the Earl of Mulgrave by John Smith after Kneller's oil painting; published in London in 1696.

John Smith after Sir Godfrey Kneller

Mrs Vos and child

Three-quarter length portrait engraved by J. Smith after the painting by Kneller and published in London in 1692.

Roberty Pollard after John N. Sartorius

The Extraordinary Match Against Time performed by a Chestnut Horse, the property of Mr. Mich. Weston

An etching by Pollard after J. N. Sartorius; publsihed in London in 1808.

Fairland after Nicholson

The Devon Breed

Lithograph in original hand colour drawn on stone by Fairland after the illustration of Nicholson and published by David Low, London 1841.

Fairland after Nicholson

The Glamorgan Breed

Lithograph in original hand colour drawn on stone by Fairland after the illustration of Nicholson and published by David Low, London 1841.

John Gould

Buff-Breasted Tringa

Lithograph in full original hand colour issued in John Gould's "Birds of Europe" in London between 1832 and 1837.

John Gould

Whimbrel

Lithograph in full original hand colour issued in John Gould's "Birds of Europe" in London between 1832 and 1837.

William Hayes

Sheldrake

An etching by William Hayes with original hand colour; published in "Portraits of Rare and Curious Birds, with their descriptions, from the Menagerie... at Osterley Park", London 1777.

Beverley Morris

Great Snipe [&] Brown Snipe

Steel plate engravings with original hand colour by Beverley Morris and published in London in 1855.

George Brookshaw

Figs

Colour printed stipple plate engravings; published in London in 1817.

J. L . Marks

Very Ill

Etching in original hand colour; published by J. L. Marks in London circa 1870.

J. L . Marks

Very Wet

Etching in original hand colour; published by J. L. Marks in London circa 1870.

Caietani Albizzini

Shells

Pair of etchings with later hand colour; engraved by Pazzi afet Menabuaoni and published in Florence in 1742

William Leney after Henry Fuseli RA

Shakespeare, second part of King Henry the Fourth, Act II Scene IV
Doll Tearsheet, Falstaff, Henry & Poins

Large scale etching from Boydell's "Shakespeare" published in London in 1795.

J. Fairburn

The Young Governess [&] The Faithful Friend

Etchings with vibrant hand colour; published by J. Fairburn in London circa 1870.

Jazet after Horace Vernet

Judith and Holofernes

Mezzotint engraving by Jazet after the oil painting by Horace Vernet; published in Paris circa 1850.

William Evans

Lieu.t General Lord Hill KB

Etchings with original hand colour; published in London in 1815.

William Evans

The Duke of Wellington

Etching with original hand colour; published in London in 1815.

Anon Italian

The Leaning Tower at Pisa

Etching with original watercolour and gouache; published in Italy circa 1850.

Francis Jukes after T. Walmsley

View of Bally Hooly Castle Co. Cork

An aquatint in exceptional original hand colour; engraved by Francis Jukes after Walmsley and published in London in 1836

Laurie and Whittle

Grand Cairo; the Metropolis of Africa

An etching in original hand colour; published in London by Laurie and Whittle circa 1790.

John Jones after Sir Joshua Reynolds

Lord Henry and Lady Charlotte Spencer

Stipple plate engraving printed in sepia ink. Engraved by John Jones after the portrait by Reynolds and published in London in 1790.

Edward Duncan after John Ferneley

St. Giles, Winner of the Derby Stakes at Epsom, 1832, Rode by W. Scott

Aquatint in original colour, engraved by Duncan after Ferneley and published by Ackermann in London in 1832.

John Harris after Harry Hall

Gladiateur.
Winner of the 2000 Guineas Stakes at Newmarket, the Derby Stakes at Epsom & of the Great St. Leger at Doncaster in the year 1865.

Aquatint in original hand colour, engraved by John Harris after the painting by Harry Hall and published in London in 1865.

Vanity Fair.

Automobile (The Comte de Dion)
12th October 1899.

Chromolithograph, published 1899.